On the 50th anniversary of Josef Albers’s Interaction of Color, Yale University Press has released the work as an interactive teaching tool along the lines of what the Bauhaus master originally ...
“Albers was really particular about making a distinction between color theory and experience. What he was after was not theory but color practice, how the eye is interpreting what it is seeing,” said ...
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While studying painting and printmaking at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe color perception phenomenon, in his 1963 instructional text ...
This creative biography explores how Albers, perhaps best known for his paintings of squares in different color combinations, “saw art in the simplest things.” Albers is pictured rummaging for scrap ...
Edition of 2000 copies, of which there were 50 signed and numbered by Albers (this not being one of the signed copies). Large quarto. Cloth slipcase containing text volume (cloth, 80pp.) and cloth ...
>For anyone without a color theory background, it will blow your mind. Fifty years later the book’s guts still hold up—the theories Albers developed during his time at the Bauhaus continue to be ...
I was introduced to the teachings of Josef Albers in a color theory course my senior year of art school at Boston University. My professor Richard Raiselis had studied under Albers during his time at ...
Work from the great Bauhaus artists Josef and Anni Albers informs the design of a children’s intensive care unit in London. Cue lots of yellow. In 1810, the German Romantic poet Johann Wolfgang Goethe ...
In 1988, the Museum of Modern Art exhibited a hitherto unknown body of work by Josef Albers: a group of 25 photocollages from 1928-32, made when he was a teacher at the Bauhaus in Germany. Few critics ...
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