A long overdue digital restoration of my favorite Jean-Luc Godard film, the glorious 1965 black-and-white surreal sci-fi noir “Alphaville,” starring Eddie Constantine, Godard’s wife Anna Karina and ...

‘’Reality is too complex. What it needs is fiction to make it real,” intones the computer at the film’s beginning. “Alphaville,” released on May 5, 1965, exaggerates reality. Godard and ...

Before he loved anything else, Jean-Luc Godard loved genre: He famously dedicated his first feature film, “Breathless,” to Monogram Pictures, one of the monarchs of Poverty Row B-picture production.

Jean-Luc Godard’s hard-boiled sci-fi movie from 1965 returns in a restored version at IFC Center. By J. Hoberman Cinephiles of a certain age have a Jean-Luc Godard film that when first seen, blew ...

The blinking, eyeless gaze of Alpha 60 beckons the viewer into the city of Alphaville, a dystopian technocratic dictatorship. , a philosophical science-fiction film noir, combined two previously ...

“Alphaville” was both a complete revelation and yet not so vaguely familiar. This exotic product of the French new wave washed across the shores of my youthful consciousness, mingling the familiar ...

It's brilliant and baffling in almost equal measure, but Jean-Luc Godard's Alphaville, an associative 1965 jumble of sci-fi, Mickey Spillane, comic books, film noir, German expressionism, and ...

The most prolific of French filmmakers and ex-New Wavers, Jean-Luc Godard, has come up with an adventurous-philosophical pic with this one. He takes a popular actor and uses his screen personage in a ...

A film from out of the past, set in the future, and more than ever concerning the present — that can only be “Alphaville,” Jean-luc Godard’s 1965 sci-fi detective story and a work that rages against ...

Veteran cinematographer Frank Byers (“Twin Peaks,” “Boxing Helena”) is set to direct an indie remake of Jean-Luc Godard’s 1965 film noir “Alphaville,” TheWrap has learned. Studiocanal and the director ...

A cinematic obsessive with the filmic palate of a starving raccoon, Rob London will watch pretty much anything once. With a mind like a steel trap, he's an endless fount of movie and TV trivia, borne ...

Before he loved anything else, Jean-Luc Godard loved genre: He famously dedicated his first feature film, “Breathless,” to Monogram Pictures, one of the monarchs of Poverty Row B-picture production.