Imaginative dance abounds in Hollywood, but its creators remain unheralded at awards time. By Margaret Fuhrer If you’ve watched this year’s Oscar-nominated films — actually, if you’ve been in a movie ...
Performances in N.Y.C. Advertisement Supported by Critics’ Notebook Is theatrical choreography at a turning point? Or just leaping, lurching and shimmying as usual? Our critics weigh in. By Jesse ...
When fans of the American version of “The Office” hear the piercing synth at the beginning of the Chris Brown song “Forever” — followed by the staccato chant “One, two, three, four!” — they’re likely ...
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